Together
Stainless steel, concrete, ABS pipe
5ft x 5ft x 5ft
Möbius
Steel
104 ins x 48 ins x 73 ins
Daybreaks
Steel, wood, pigment
16ft x 11ft x 10ft
ve past each other and the
viewer.
Dream Big
Steel, pigment
115 ins x 165 ins x 80 ins
Care
64 ins x 119 ins x 42 ins
I created
“Care”
to
explore further the shape produced in “Next Stop Shibuya”, and the different
challenge of a horizontal focus.
The arched shape suggested to me a
recumbent person held up by a caring other, reminiscent of a “Pieta”.
Fastball
Steel, pigment
41 ins x 80 ins x 36 ins
Given all to the ball
At Bat
Steel, pigment
112 ins x 74 ins x 44 ins
About to transfer as much potential energy as possible to the ball
Play Ball
Steel, pigment.
An installation of "Fastball" and "At Bat"
Distant
86 ins x 27 ins x 62 ins
Next Stop Shibuya
次は渋谷、渋谷
Installation at Sculpture Now 2016 at The Mount, Lennox
Painted Steel 9ft high, 5 ft x 5ft base
The outward curve of the two close-together
elements of Next Stop Shibuya reminded
me of being
on a train in Tokyo. When I was compressed into a railway car at
Shinjuku station and then pushed
further in at each stop, finally hearing: “The
next stop is Shibuya”, was a welcome announcement.
Metro
Seven-figure installation at Sculpture Now 2015 at The Mount, Lennox
Painted Steel 8ft high x 9 ft x 6ft
Metro
Fourteen-figure installation at Passion Play 2017 at Alternatives, Whitinsville
Painted Steel 8ft high x 29 ft x 4ft
Metro
Three-figure installation at Fuller Craft Museum 2018
Painted Steel 8ft high on 5ft circle
Dream Pod
Steel, steel and aluminum mesh, found rubber balls
55" high x 70" x 70"
Photo Marilyn Ewer
Bath in Orange
Cut from found cast iron bath tub, steel tubing
72 ins high
Secret
Carved from found slate counter-top, base of found field and beach stone
88 ins high
Pairs
of people often present an outward public view of their interaction that is
different from the private one they have between them. The two forms maintain a
rigid separation and their outer-facing surfaces differ from those they share
with each-another.
A whisper, a kiss...?
Recently on show at "state of play"
Fruit of Fancy
Steel, steel and aluminum mesh, found rubber balls
59 ins x 22 ins x 38 ins
Aquitaine
Marble
9 ins x 12 ins x 12 ins
With advice and inspiration from DJ Garrity
Watching
Steel, aluminum mesh, acrylic paint
Installation in pear trees at The Fruitlands Museum, Harvard, MA "Art in Nature 2013"
Watching
Steel, aluminum mesh, acrylic paint
Installation at Oxford Public Library, MA "Art in The Yard 2016"
Ever Vigilant
Marble
12 ins x 11 ins x 7 ins
Poplar
Poplar
46 ins x 39 ins x 9 ins
Reeds 14-1
Wood
144 ins x 96 ins x 96 ins
Installation at The Sprinkler Factory Gallery for "the[space] between" group show
Pairing
Concrete and steel
12 ins x 20 ins x 77 ins
Oduduwa's Gift
Copper tube, fieldstone
12 ins x 10 ins x 9 ins
Created for "Call and Response" shows at Worcester and Fitchburg in response to specific African art pieces from Fitchburg Art Museum
Created for "Call and Response" shows at Worcester and Fitchburg in response to specific African art pieces from Fitchburg Art Museum
Resting Places
Slate, found beach-stones
11 1/2 ins x 18 1/2 ins x 2 1/2 ins
Created specifically for "A Different Vision 2013": a tactile art show with blind and partially sighted individuals in mind
Created specifically for "A Different Vision 2013": a tactile art show with blind and partially sighted individuals in mind
Colorfall
Polyurethane foam, wire, wood, cardboard, acrylic
43 ins x 60 ins x 48 ins
The layering of flows, as seen for example in rock formations, provides a record of the passage of time. I use color to emphasize these layers and the associated flow of time; as well as accentuate the innate exuberance of the foam material, which I find difficult to suppress.
Recently on show at "the Eye is not a Camera"
43 ins x 60 ins x 48 ins
The layering of flows, as seen for example in rock formations, provides a record of the passage of time. I use color to emphasize these layers and the associated flow of time; as well as accentuate the innate exuberance of the foam material, which I find difficult to suppress.
Recently on show at "the Eye is not a Camera"
Steel, slate
12ins x 14ins x 11ins
Maple
14 ins x 20 ins x 48 ins
Natural Selection
Concrete, applewood
12 ins x 12 ins x 71 ins
A frail sapling bursting through concrete to remind us of the temporal limits of our power.
Shown at ARTsWorcester Bienniel 2011 and at "In Context: Art of the Here and Now" at Worcester Art Museum
12 ins x 12 ins x 71 ins
A frail sapling bursting through concrete to remind us of the temporal limits of our power.
Shown at ARTsWorcester Bienniel 2011 and at "In Context: Art of the Here and Now" at Worcester Art Museum
Cinder block, wood plinth
14 ins x 14 ins x 66 ins
I hope “Private Space” gives pause to consider that each individual has its own private identity, an intimate subtlety and complexity seldom viewed, and frequently under-estimated, by others.
Recently on show at "the Eye is not a Camera"
2x4 Dreaming
Wood, found wooden balls, copper tube
24 ins x 43 ins x 117 ins
24 ins x 43 ins x 117 ins
To break out of its rigid confines and reveal its inner potential. Even a two-by-four may dream.
On show 2011- 2012 at "Worcester Windows" on Madison St. at Main St.
On show 2011- 2012 at "Worcester Windows" on Madison St. at Main St.
